review: The Final Curtain

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NinaFromCanadaEh
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review: The Final Curtain

Post by NinaFromCanadaEh »

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from 2011, I wrote:

I was lucky enough to have received this set for Christmas and have been overwhelmed with the amazing quality that I looked for the official hologram sticker to keep and had to remind myself it wasn’t an official product!



While I haven’t finished reading, listening and watching either, I was impressed and surprised. The image of Elvis as a bloated jump suited parody is far from the reality of 1977.

Elvis’ weight fluctuated with his moods – and again – compared to the average weight of people now, Elvis’ peak weight wouldn’t draw a second glance. He continued to have inspired performances right up to the final show.

I watched the bonus disc of newscasts first and found it interesting to compare the style of news programs then and now.

One thing that was really driven home to me is how much more is known about Elvis than during his lifetime, or maybe how lazy news researchers were to get so many basic facts wrong. Including one newscaster who referred to Priscilla as Elvis’ childhood sweetheart and said Elvis got into recording as a lark when he did a demo at Sun when he was 25!

I have a disc of TV broadcasts from Memphis the week of Elvis’ death and the contrast between the more national broadcast and the local ones is startling. You really can’t watch the Memphis ones without crying in response to the anguish the news casters showed, while the national broadcasters are in that Dirty Laundry mode of not really responding to the terrible news they are informing us of.

But, I think Elvis’ last months of his life and career are as important as the first few months and year of his career – watching Elvis go from struggling to bring a new sound to the world to struggling to just maintain at the end.

Elvis remains so culturally powerful and relevant because his life was one of such dramatic contrasts, that he can stand as a symbol for any meaning or lesson needed to be highlighted – American Dream turned American Nightmare, personal humility with a public image of excess, and perhaps most importantly, an object lesson about managing power.

Elvis, had he maintained control over his career and life, would have had a very different path. More then likely, on his own, he would not have served as a regular soldier, he would have gone the entertainer route. Perhaps even remaining in the US for recruitment campaigns. He also probably would have continued down the Flaming Star/Wild in the Country path of movies and not the Presley musical travelogs.

Elvis, as the biggest celebrity, could have written his own career, but, for really unknown and unclear reasons, instead, he took the path of least resistance and allowed Parker to manage his career and his father to poorly invest his money.

Perhaps this is what the most amazing thing about Elvis was – he was willing to allow other people power regardless of the consequences and cost to himself. That’s a level of selflessness we are not likely to see again.

I think it’s telling that Elvis’ concert riders were a case of a particular brand of bottled water, while other performers at that time and more so now, have pages and pages of demands from Van Halen’s infamous no brown M&Ms, to divas who demand re-painting of dressing rooms, all manner of specific flowers, foods and other over the top demands.

Elvis’ career accomplishments seem to have been in spite of his management, and I have to wonder what more he could have accomplished or how much longer he would have lived, had Elvis wielded the power his talent earned him.

It’s sad to think that maybe it was the unconditional love of his fans that made Elvis desperate to never disappoint us – and perhaps it was that fear that caused him to listen to the powerful appearing Col Parker. Never realizing that it was Elvis’ own power co-opted.
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Re: review: The Final Curtain

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Re: review: The Final Curtain

Post by NinaFromCanadaEh »

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The Final Curtain comprises of a 400 page jam packed book with 6 CD’S and 6 DVD’s with hours of unreleased footage and new complete soundboards all housed in a large and heavy beautiful box set.

The book is packed with more than a thousand pictures plus reviews, full text featuring all the tours and rare facts etc to create a 1977 book finally worthy of release. Printed on beautiful silk paper this hard-back edition is a must for any fan.

The 6 CD collection includes 3 new shows featuring the lost recorded performance of Orlando on February 15th, Saginaw’s May 3rd and Madison’s June 24th. Also included on the CD’s are highlighted show recordings from 1977 and has a new version of Elvis’ last show in Indianapolis, all of the audio materials contained in the box are taken from 1st generation copies of original Soundboard/RCA tapes.

EIN's Piers Beagley spent a few days indulging in this mammoth box-set and writing this in-depth review:


https://www.elvisinfonet.com/book_revie ... _1977.html
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Re: review: The Final Curtain

Post by FanFrom'61 »

NinaFromCanadaEh wrote: October 3rd, 2025, 12:41 pm Image


The Final Curtain comprises of a 400 page jam packed book with 6 CD’S and 6 DVD’s with hours of unreleased footage and new complete soundboards all housed in a large and heavy beautiful box set.

The book is packed with more than a thousand pictures plus reviews, full text featuring all the tours and rare facts etc to create a 1977 book finally worthy of release. Printed on beautiful silk paper this hard-back edition is a must for any fan.

The 6 CD collection includes 3 new shows featuring the lost recorded performance of Orlando on February 15th, Saginaw’s May 3rd and Madison’s June 24th. Also included on the CD’s are highlighted show recordings from 1977 and has a new version of Elvis’ last show in Indianapolis, all of the audio materials contained in the box are taken from 1st generation copies of original Soundboard/RCA tapes.

EIN's Piers Beagley spent a few days indulging in this mammoth box-set and writing this in-depth review:


https://www.elvisinfonet.com/book_revie ... _1977.html
I’d love to own a copy of this - when it came out and it wasn’t cheap then, I couldn’t convince myself that I wanted to spend the money on something that covered the poorer aspects of his career, but now I wish I had and more-so for the book - FTD appear to be heading toward much of the music and I picked up a book/cd/dvd combo set that covers Elvis in Concert, but unfortunately, the book is about the size of a paperback. I’m now hoping that FTD do a Pal/David English book that covers the last tours.
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Re: review: The Final Curtain

Post by KingElvis »

I wasn’t that impressed with this release and thankfully I didn’t buy it—only borrowed it. I also wish the producers
had added stereo sound to the original ’77 special video, as others have done with later releases.
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Re: review: The Final Curtain

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KingElvis wrote: October 4th, 2025, 6:56 am I wasn’t that impressed with this release and thankfully I didn’t buy it—only borrowed it. I also wish the producers
had added stereo sound to the original ’77 special video, as others have done with later releases.
From memory, it came out around 15 years ago so probably did not have the technology to produce a stereo version of the video.
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Re: review: The Final Curtain

Post by KingElvis »

FanFrom'61 wrote: October 4th, 2025, 7:36 am
KingElvis wrote: October 4th, 2025, 6:56 am I wasn’t that impressed with this release and thankfully I didn’t buy it—only borrowed it. I also wish the producers
had added stereo sound to the original ’77 special video, as others have done with later releases.
From memory, it came out around 15 years ago so probably did not have the technology to produce a stereo version of the video.
I’m pretty sure they did. I got a DVD around 20 years ago with the original TTWII movie (concert fottage) in stereo sound,
since all we have is the mono version.
I dont know who made the stereo soundtrack DVD though,and its 2025 and we still only have the mono version.
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Re: review: The Final Curtain

Post by NinaFromCanadaEh »

I was impressed with this and seeing 1977 was not just a steady decline for Elvis

it was expensive, but not as much as the complete masters 35 disc box set
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Re: review: The Final Curtain

Post by On Tape 1972 »

TFC was released in early 2011 and I consider it to be the biggest, most badass bootleg out there. Audio highlights include the "lost" Orlando soundboard of February 15 and a complete soundboard recording of the June 24 show at Madison, WI. This release continues to stay relevant, as we (most likely) won't be seeing any of the audio on official releases.

John Michael Heath and Jamie Kelley of the EAP Society did a neat little unboxing a couple of years ago, and it's well worth watching:

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Re: review: The Final Curtain

Post by NinaFromCanadaEh »

FanFrom'61 wrote: October 4th, 2025, 7:36 am
KingElvis wrote: October 4th, 2025, 6:56 am I wasn’t that impressed with this release and thankfully I didn’t buy it—only borrowed it. I also wish the producers
had added stereo sound to the original ’77 special video, as others have done with later releases.
From memory, it came out around 15 years ago so probably did not have the technology to produce a stereo version of the video.
yes I wrote that review in 2011
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Re: review: The Final Curtain

Post by NinaFromCanadaEh »

On Tape 1972 wrote: October 4th, 2025, 10:12 am TFC was released in early 2011 and I consider it to be the biggest, most badass bootleg out there. Audio highlights include the "lost" Orlando soundboard of February 15 and a complete soundboard recording of the June 24 show at Madison, WI. This release continues to stay relevant, as we (most likely) won't be seeing any of the audio on official releases.

John Michael Heath and Jamie Kelley of the EAP Society did a neat little unboxing a couple of years ago, and it's well worth watching:


i think this is the most impressive bootleg ever
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